There are people making statements about the burqa and hijab, starting with Jacqui Lambie. It's a funny thing - now the National Party is complaining that their anti-burqa message is being garbled by Senator Lambie's efforts. There's now an Islamophobia hotline to boot because anti-muslim sentiment has gone up in the wake of the arrests of the ISIL//ISOR-sympathisers and their random-beheading plot.
It needs to be said, hounding women with these head dresses is hardly going to achieve anything towards achieving the defeat of ISIL//ISOR or towards World Peace. If we're going on about Sharia Law and who intolerant Islamist muslims are, then it's probably worth talking about other religions that have a highly intolerant branch. Judging muslims by the behaviour of ISIL//ISOR is like judging western society by the behaviour of Westboro Baptist Church. Complaining about the burqa is equally irrelevant as people who complained about bikinis. We've learned to live with bikinis, we'll learn to live with burqas.
Classical Music As Prestige Hobby
Pleiades sent in this story which deserves a bit of kicking around. It turns out that it wasn't just the ballerinas that got a reprieve from the Budget slashing knife wielded by Worst-Treasurer-Ever Joe Hockey; Melba Recordings which specialises in classical music recordings goat direct injection of $275,000 from the Federal Government, directly bypassing the Arts Council.
The story then tells us that Melba Recordings has been receiving Federal grant monies for a long time, and each and every time has been bypassing the Arts Council. This fact alone fills one with great mixed feeling - but I'll get on to that in a moment.
ArtsHub reports that: “Melba’s last published financial statements appear to be from 2011-12. They paint a dismal picture. The foundation recorded a $566,704 loss on revenue of only $630,848, of which the Federal Government grant was $500,000 – an extraordinary subsidy ratio of approximately 79 per cent.”
“Melba’s sales record is equally glum. The 2012 annual report shows an “other” income, which appears to include CD sales, of only $39,225. Sales from earlier years were equally disappointing. In 2011 the foundation made only $18,000 and in 2010 as little as $3,500, according to a 2012 analysis by Samantha Randell, a researcher at the Association of Independent Records,” the website reported.The amazing thing about classical music is not the years of devotion and training it takes to master the technique, only to end up teaching the stuff or working in some cruddy orchestra as fifth violinist down the back or something; it's that it keeps finding patronage in the most extraordinary places.
Like, the Attorney General's Office.
Jokes aside, you do wonder how valid it is to be spending money on a label of classical music, recorded in Australia by Australian musicians and artistes. On the one hand, it's good that there is a forum for classical musicians to get a go, recording stuff. Otherwise, it's forever going to be the cultural cringe of worshipping at the altar of 'Deutsche Grammophon' and 'ARKIV Produktion' and 'Decca Records' and all those wonderful, established recording houses in Europe. On the other hand you would think, if there's no market purchase whatsoever, it's in the same basket-case basket as Australian Film & Cinema. Why are we spending good money after bad to indifferent effect, pissing it into the wind when the very same government is screaming about cuts to everything worthwhile?
The mind boggles.
Equally, one understands what the funding selection criteria process would be like for a classical music label to undergo at the Arts Council. It would be a hard sell, and some weird-as left wing ideologue is bound to scuttle sending money to something so conservative and backward looking as a classical music label. They would have no shot - and as progressive and trendy-lefty as I am, the musician side of me wonders if the Arts Council should be the kind of arbiter body for something like this?
It would be really - make that tremendously - hard to make a case that an Australian playing 'The Goldberg Variations' on a harpsichord made in Australia was still culturally Australian in the way funding bodies like it. But is this a fair ruler with which to measure this kind of venture? Is this venture that lacking in national interest?
All the same, when you look at just how much money has been spent and how little money that's been made selling classical music from this label, one would have to conclude this is just this conservative Coalition wanking on spending public monies on something that belongs with private philanthropic enterprises. It says a lot about Australia that this sort of thing happens at all. Bottom line is this: why aren't Jamie Packer and/or Lachlan Murdoch forking out money for this instead of the government? What's wrong with these billionaires? Acute Philistinism perhaps?
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