Showing posts with label Robert Fripp. Show all posts
Showing posts with label Robert Fripp. Show all posts

2009/08/15

Perplexed With The Google-Plex

The Shoe On The Other Foot

It hurts when you can't manipulate the market like you used to. At least, that's the message I'm getting from this article in the SMH.
With nearly 10 million visitors a month Google is the most visited website in Australia. Nine out of every 10 searches made on the internet is through Google. Those eyeballs translate into an estimated 90 per cent share of search advertising - the fastest growing area in online advertising as the number of advertisers using the service soars close to 50,000 in Australia. Google's revenue is estimated to be $700 million and fast heading towards $1 billion as more advertisers divert their budgets into a medium that delivers them measurability and sales leads. Soon Google will have the ability to sell and serve richer display brand ads on 62 per cent of Australian websites. A suite of products from maps and mobile phone applications to computer operating systems, video traffic on YouTube and cheap telephone calls only helps rust consumers onto the Google brand.

The more time we spend on the internet, and hence on Google, the more money it makes. All of which is making the Australian media, already grappling with the structural changes the internet has wrought on it, deeply uncomfortable. Now it is plotting its revenge; how it goes about exacting it is another thing altogether. But while Google's monopoly of information is not in doubt, to date there is scant evidence of Google using its muscle to distort the market, only a fear that it might do so in the near future. That has not stopped a growing chorus of voices expressing concern at Google's dominance, but such is the might of Google, few are prepared to go on the record. Telstra's Sensis, News Limited, Ninemsn and Microsoft all declined to publicly air their grievances because some of them still do business with Google.

One that did, though, is the man who arguably has the most to lose from Google's continued dominance and the most to gain from its downfall: Rohan Lund, the chief executive of Yahoo7!, Google's main competitor in search.

He says all he can see is a future where the Google Death Star, as he dubs it, will reign supreme. "There needs to be a conversation in industry and government about Google's role in the market and what this means for business and consumers both now and in the future,'' Lund says, adding that Google may now be Australia's largest media company by reach and profit.

''Commentators in the US are concerned that Google has a 60 per cent share. Let's not forget that in Australia that climbs to nearly 90 per cent share, even after the Yahoo! and Microsoft search businesses join forces."

I'm going to digress a bit and talk about the example set by the music industry.

Once upon a long time ago, Robert Fripp the guitarist from King Crimson folded up his band in 1975. There were many reasons to his decision, but one of the ones he discussed was the nature of technology pointing in a different direction to the way the music industry was structured. Through 1975-1980, Robert Fripp expressed the view that the music business with big Rock bands going on tour was a dinosaur and only small intelligent units were going to survive the technological changes.

As such, he saw his own band as an unwieldy contraption that was not going to survive and proceeded to build a catalogue of albums as a solo musician working small partnership. When King Crimson returned, it was as a stripped-down 4 piece with a more technology-driven approach.

Since then, Robert Fripp has been shown to be right. As technology changed, the music industry was found to be a dinosaur as small intelligent units - mp3 players and pirated music files destroyed the business model of the record labels. The key of course was distribution. Which is why this bit caught my eye:
''Distribution is key. Once you start locking up distribution your reach gets bigger, then the revenue per search gets bigger and then as that gets bigger the more you are able to pay others to lock up distribution,'' says Lund, who has spoken out despite pleas from Google for him to remain silent on the matter.

It doesn't matter what you sell, whether it is advertising space or little discs that make music when placed in a player, distribution of your product and service is the most important aspect of any business.

If anything, the advertising industry should be in more shock than the media that provides competing ad space. If you had a small business providing a very specific service, then it is far more effective to place an ad through Google than it is to place it in any media outlet. If you had a meager advertising budget, the place you should put that money is Google. Everything else is relatively speculative compared to the certainty of Google Ads.

The fact of the matter is, there are numerous companies on the planet that do offer very specific goods and services that can now reach a wider target through the internet and especially through Google.

Another way of putting it is that the advent of technology has made sure that the media advertising space has been found out to be overpriced for the effectiveness they possess. The only good that advertising space in Newspapers and Free-to-Air TV can achieve would be branding and specific announcements, while carefully targeted adverting all takes place through the internet - and in particular through Google.

But even with branding ads, Google has something coming:
Google has yet more weapons in its armoury. Later this year when it turns on its DoubleClick ad serving platform - which it bought for $US3.1 billion in 2007 - it will be able to serve up display ads, such as banners, pop-ups and videos, to advertisers who are looking to do brand ads online. To date, Google's focus has been on selling search keywords to advertisers and text ads to small businesses. DoubleClick, which serves and measures the effectiveness of display ads to half the websites in the world with more than 1 million unique monthly visitors, delivers Google advertisers from the big end of town. It also pits it once more against its key customers; the publishers and the media-buying agencies who each year earn their bread and butter from a market worth $500 million a year. Google insists it is not about to cut their grass and that its priority in Australia is on building search advertising revenues. It adds that, even it it wanted to, it doesn't have the skill sets of either a publisher or a media agency to undertake such a task.

But, as one internet advertising veteran, who asked for anonymity, says: ''What worries them [the media] is the sheer volume and quality of data about customers that Google will own and how that can be used in other advertising models. There's a real danger that Google does everything that they do only they'd do it much better and more efficiently.''

I would hate to be in the print ad or TV ad business going forwards. It's like working for Kodak Film in an age of digital photography by the masses. And I keep thinking Robert Fripp had it absolutely right - technology has slain the dinosaurs.

2006/01/11

Grab Bag

Update
I am likely heading to JAXA for the 15th of Feb launch after all, which is good. I'll be away for a month starting early Feb. thru to early Mar. so please be warned I won't post too much in the period. I'm suddenly a busy man again.

Also, 'Coelacanth' is now officially working towards the second 'album' of 12 songs which we hope we'll release this year - we might not get there' but we'll try. Anyway, we are welcoming back Michelle Z on vox, so it probably won't be an all out guitar assault in the style of 'Fish Don't Carry Guitars'. I'm sure people are drawing a sigh of relief there.
Title is still being debated. Stay tuned.

In the mean time, I'm posting up some more of my Beastie Boy remixes so head on over to iCompositions for a listen, won't you now?

From The Mailbag

We were talking about Robert Fripp only a week ago and now we find out this story:
Robert Fripp is being tabbed to do the sounds for the new Microsoft Vista Operating System.
Fripp, who was a co-founder of the influential band King Crimson and has also worked with Peter Gabriel and Talking Heads, recently spent some time at Microsoft's Redmond, Washington campus "recording the various sounds we'll all hear in Windows Vista", according to a video posted on Microsoft's MSDN Channel 9 website.

Fripp is an electric guitarist noted for his ability to generate futuristic, electronic sounds from his instrument. From the evidence on the video posted on Microsoft's website, "Behind the scenes at [the] Windows Vista recording session", he's shooting for aural effects that wouldn't have been out of place in the movie "2001: A Space Odyssey".

"They don't just want it to look good, they want it to sound good, too," said Joe Wilcox, senior analyst at JupiterResearch. "Why have the boring PC 'beep' when even the basic sounds of the operating system can be an experience?"

This isn't the first time Microsoft has aimed at cutting edge sounds. Electronic rock pioneer Brian Eno created many of the tones used in Windows 95. Microsoft also spent millions of dollars to licence the Rolling Stones song "Start Me Up" for use in its ads promoting Windows 95.

"From a rocker perspective, it [hiring Fripp] does show the age of some of the people working on this project," Wilcox said.
So Robert Fripp rocks on with Microsoft. Maybe that's another reason to get a PC again when Vistas comes out. Trevor Rabin did work for Mac OS X. What is it about Prog Rock and computer sounds?

There's Also This Gem
I know it's odd, but people were discussing nude skydiving on the weekend and one of the people involved in the conversation dug this one up.


Do yourself a favour and go to the link and watch the video. It's a form of hilarity, all of its own kind.

2006/01/05

From Robert Fripp To The World

Exposure To A New Link

This is what fandom does to a person: I used to copy the handwriting on the cover of the album 'Exposure'; I actually learnt to write 'Robert Fripp' in that odd scrawl and used to sign out library books (and sit for exams as 'Robert Fripp' amongst others) back at High School.
It's stupid to be a devotee of a Prog Rock Guitar Gods whose main message seemed to be "If you have an unattractive personality, this is no obstacle to doing work".

On the right hand column, you will note I've added a link to Discipline Global Mobile where Robert Fripp has a web diary going. It makes for some funny reading:
13.09

World HQ.

The Minx has just called from Milton Keynes: back to being very nasty to Snow White.

So much stuff, in several places & areas, is waiting that it is tempting to walk away.

Q. What to do when there is so much stuff to do that nothing is possible?

A. One small thing in front of you.

Q. What to do when there’s still so much stuff that one small thing hasn’t changed the pile?

A. Firstly, this is not a question: it is a statement, that nothing has changed. This statement is incorrect: addressing the one small thing has changed everything, although this may not be immediately apparent.

Secondly, do a second small thing in front of you.

15.05 Three small things undertaken. Hey! I’m on a roll. Number Four approaching…

21.45 Well, several small things undertaken.

Plus guitar practising (diatonic arpeggios in D flat major); e-flurrying on all manner of topics – an about-to-be-becoming Guitar Craft Women’s Group, a major bootlegger in Australia, various enquiries & DGMlive matters. Lotsa diverse stuff. Much of it repercussions.

My current overall medium-term Life Aim is Catching Up. This is very broadly based. Living the lives of two very busy men, for most of my professional life, has generated multo repercussions. Many of these repercussions translate into stuff, material stuff, much of which has both personal & intrinsic value. Were I to die tomorrow, or later today even, there would be a huge mess for my executors to clear up; and there would be loss. This aim is to organise & order the material part of my lives, during the next 3-5 years, so that I am better able to address what is required of me before I am able to fly away, an unburdened and happy boy, at whatever age I am allowed.

22.15 A call from Bill Rieflin in Seattle, just as I was closing down the office. Bill is working with Curt today, and will be in England in a fortnight’s time for several gigs – and visiting an ace panto in Milton Keynes. I am on Slow Music call for the West Coast next May, says Director Bill. Yippee! says I.
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20.46

World HQ.

Dr. Mike & Cherry visited for lunch & team, a highly enjoyable visit for me. Then to practising, drawing up plans for cabinet making, practising, and visiting neighbours en route to World HQ.

An e-flurry is underway at World HQ. The Sidney Smith has sent an MP3 of a bootlegged mystery track that purports to be KC in 1974. It sounds like JW singing, Billy B on drums, even RF on guitar, supposedly from Italy. I have no recollection of this piece of music. So, it’s on its way to JW, Bass Beast of Terror & Vocaliste of Wonderment, for his view. This and several other arising matters.

22.05 Dribble.

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8.14

World HQ.

An organising & clearing day: at home, the study; at HQ, the kitchen area for builders soon to enter & build an extension. All part of Catching Up.

Now, a call to DGM HQ… Soundscapes For School Aid at All Saints’ Church, Broad Chalke, are go for Saturday 14th. January, 2006 between 12.30 & 14.00. Donations are invited for the local school, which suffered a fire.

Part of this afternoon’s e-flurry, in from John Wetton (in addition to a cake & coffee date in a couple of weeks) is confirmation that the mystery track is actually KC, most likely in Udine, Italy. So, in effect we have a new, unreleased KC track from 1974.

Slow Music, second set from Live At The Croc, is werning away.
Now you can follow the intimate thoughts of Prog Rock God Robert Fripp.
As to the problem of the bootlegger in Australia, hey Robert, I have a simple message for you: "TOUR AUSTRALIA, DAMNIT!"
We're totally frustrated down here. People are so frustrated that the SMH was reviewing 'USA' a few weeks ago. Come on, Robert!

I think Frank Zappa might have said it best when he coined the album title "Shut Up And Play Yer Guitar", however, in this case it might be worth following. In the mean time, I must be off practicing my diatonic arpeggios in D-flat major.

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